Dylan Schnabel

Dungeon Madness is the follow-up novel to Krout's Dungeon Born which both expands the scope and complexity of the series.

Dungeon Born is a breakthrough novel in a burgeoning subgenre of a subgenre, and it lives up to the hype

Salvatore is a clean revenge short that leaves the viewer satisfied.

Macabre is a constantly flowing, dialog-free short with a very interesting art style and an underrated plot.

Nothing. Something. Anything. Meh.

The Babysitter is a fun, over-the-top horror/comedy, which will have very polarizing opinions, depending on the viewer.

This short is worth its time, even if just for the animation style alone.

Dracula, or Horror of Dracula, is a pretty by-the-numbers Dracula film.

Creature from the Black Lagoon is a fairly straight-forward horror film, but even sixty-five years later, it still works.

Black Christmas is what happens when a director decides to make a slasher but also decides to make a good movie.

Spookley is about what you'd expect from a direct-to-video kids movie made on a relatively low budget.

Night of the Creeps is a fantastic movie to watch in many different situations: with friends, at a sleepover, in the middle of the night, in the middle of the day, and so many more.

The Addiction is one of the more thoughtful films about vampirism available today.

Rites of Vengeance is a dialog-free revenge short, and that's mainly all it is.

Poison for the Fairies, or Veneno para las Hadas, is well-deserving of the praise I've seen heaped onto it. Using a story of two children from very different situations to explore themes ranging from inequality to control to blackmail to revenge is a wonderful idea, and Taboada did a wonderful job executing the film.